RUS: Нравится слушать хорошую музыку? Добро пожаловать. Здесь ты обязательно найдешь то, что тебе по душе. У нас много музыки, концертов и фильмов (для ознакомления). К тому же здесь много твоих единомышленников.
Artist: Kayhan Kalhor
Album: Ghazal: Persian & Indian Improvisations (Vols. 1 and 2)
Label: unidentified
Year: 1997/1998
Genre: World, Persian and Indian classical music
Format, bitrate: FLAC
Time: Vol. 1: 61:03 | Vol. 2: 57:26
Size: Vol. 1: ~366 MB (3 files) | Vol. 2: ~368 MB (3 files)
Like many westerners, I only became aware of Kayhan Kalhor and the group generally known as Ghazal, when their album “The Rain” was released by ECM. This set of two CDs, released in 1997 and 1998, proves that Kayhan Kalhor and his co-musicans have been making wonderful music well before the ECM release in 2003.
Performer: Wes Montgomery
Album: Live In ‘65 — Jazz Icons
Format: DVD
Video Quality: 720 x 480 4:3 30 fps 9800 kbps
Audio Quality: LPCM 2.0 1534 kbps
Featuring: Harold Mabern, Arthur Harper, Rick Laird, Jimmy Lovelace.
Recording Date: April 2 & 4 And May 7, 1965
Total Time: 78:28
Size: 4,7 GB ( 199 x 24 + 58,2 ) Incl. 5% Recovery
Artist : Ann Nurton
Album : Ballads and Burton
Label : Sony (japan)
Year : 2006
Genre : Vocal Jazz
Format : MP3
Bitrate : 256 bps
Tracks : 8
File : 71 MB
Performer: Art Blakey & The Jazz Messengers
Album: Live in ‘58
Genre: Jazz
Format: DVD-5
Label: Jazz Icons
Video Quality: 720 x 480 4:3 29.970 frames/s
Audio Quality: LPCM Stereo
Total Time: 00:54:13
Size: 3,78 GB
Label :Autoproduction
Genre Gypsy Swing Jazz Manouche
Format Vob 720 x 576 MPG2
Audio 192 Kbps
DVD Zone 2 - PAL 91mn
Date de sortie janvier 2008
Size 42 x 95.7 M0
Jimmy Rosenberg - Live at The Bimhuis
Amsterdam, July 27th 2007. The concert that has been waited for at the Bimhuis in Amsterdam, took place to rapturous applause, and was the outstanding Gypsy jazz music event of the year in Holland. Jimmy was in absolutely top form, and played both archtop and acoustic guitars to a level of beauty and technical skill that will not be matched by any guitar player in the world presently. He is finding new things within his music, and the power of his re-creation is beginning to emerge, with rhythmic and dynamic changes already happening.
He added Marc Meader on snare drum and brushes, to his lineup for the event, and with Nomy his brother playing rhythm guitar, Arnoud van den Berg on bass, Jimmy showed that he has moved into the style of Django Reinhardt’’s post war performances. Jimmy’’s electric guitar playing was glittering with new ideas, and renewed confidence. He now plays like a man driven by new and creative energy, which drags the audience to the front of their seats, and takes them on a roller coaster of music, through swoops and curves in the most exciting journey of the imagination. Jimmy charms the audience like a magician, and makes every note mean something important to every listener.
The concert at the Bimhuis was expected to be a sell out, and lived up its promise, with no seats spare, and all crowding around the podium, or sitting impatiently in anticipation. The Basily Boys came along to show how the Basily name and musical culture is still one of the great voices in Gypsy jazz music. The boys played a short set to open the proceedings. Robin Nolan did a set to thunderous applause, and proved to all the audience, that he is the only non Gypsy guitarist to command the respect of being a brother to them. The Basily Boys, to everyones delight came back at the close, to jam on stage to the tune of Joseph, Joseph. The finale was a ten musician lineup, which included the great violinist Tucsi Basily, and Robin Nolan, on electric acoustic guitar.
Du très bon Django dans ce coffret unissant l’année 1937 finissante à la 1938 balbutiante. Le manouche maître se montre fort disert durant les incursions de ses compagnons habituels de jeu (« est-ce que Monsieur Vola voudrait prendre un Volo »), il semble plus décontracté et swinguant que jamais. L’accompagnement du Quintette se fait plus léger que lors des précédentes formations, le jeu du sieur Reinhardt n’en ressort que plus : impérial et sans cesse renouvelé en solo - doit-on encore le dire ? -, il impressionne également par le formidable sens rythmique dont il témoigne lorsqu’il se joint à l’accompagnement entre deux envolées lyriques. A Londres, durant l’hiver 1938, Stéphane retrouve son piano le temps de quelques prises et nous gratifie de duo de toute beauté avec son fantasque chef de clan (pour un J’attendrai d’anthologie notamment ou un très émouvant If I Had you, pour ne pas parler de l’accompagnement de Django sur It Had to be You...Mais est-il possible de ne pas parler de Nocturne, frissons et caresses dans l’intimité du maître). Décidément, ce premier voyage en Angleterre, où les musiciens jouissaient déjà d’une forte popularité, a permis à Stéphane et Django d’enregistrer en duo des pièces d’exception. Citons également quelques prises avec orchestre, comme celui de Michel Warlop (ce sont les dernières et somptueuses pistes que le violoniste enregistra avec Django), du trompettiste Philippe Brun ou du non moins trompettiste mais également Sax alto Benny Carter. Bref, un coffret varié ou prime la formule d’un « tout corde » aussi aérien que swing, où la complicité de Django et de Stéphane est portée aux nues lors de duos somptueux. Un des tout meilleurs volumes de la période d’avant guerre - « on peut même certifier que quelques-unes des choses enregistrées les 21 et 27 décembre [1937] comptent parmi les plus passionnantes, les plus intrigantes de sa carrière… » dixit Daniel Nevers dans son livret, qui n’est pas pour rien dans la beauté de ces volumes.
Le meilleur de l’’édition 2008 du Festival Django Reinhardt de Samois-sur-Seine, avec notamment les prestations de Latches, Didier Lockwood, Christian Escoudé, David Reinhardt et du Trio Rosenberg.
Artist: Attila Zoller Trio
Album: Common Cause
Label: Enja (enja 3043)
Year: 1979; release: 2005
Format, bitrate: FLAC
Time: 54:56
Size: ~265 MB (2 files)
Most of Hungarian guitarist Attila Zoller’’s early recordings have not been made available in the United States, but fortunately his two 1979 Enja releases were leased domestically by Inner City, allowing Americans an opportunity to hear Zoller’’s unique sound. Like his countrymate Gabor Szabo, Zoller (who has a much more introverted style) uses aspects of his Hungarian folk heritage in his music while playing creative jazz. This quiet trio date with bassist Ron Carter and drummer Joe Chambers (which is comprised of four Zoller originals plus a tune from tenorman Bobby Jones) is a good example of Zoller’’s subtle improvising style. ~ Scott Yanow, All Music Guide
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