Qblog.Nov.Ru

�� | Classical music on jazz blog

2010-01-19T18:57:39+03:00

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JAZZ VIDEO LINKS

2008-05-30T18:56:58+03:00

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Hi, all jazz fans!
Here you can post any links to personal page and/or blogs (and any other places in WWW) with jazz video!
Not only listen but see… and enjoy!

Chick Corea Solo

2010-02-14T02:44:18+03:00

Chick Corea - Expressions (1994)
��: Jazz, Solo Piano
�� : 1994
��: 155 ��
��: 1:08:08
��/��: mp3 (320kB)

��:
1. Lush Life
2. This Nearly Was Mine
3. It Could Happen To You
4. My Ship
5. I Didn’’’’’’’’t Know What Time It Was
6. Monk’’’’’’’’s Mood
7. Oblivion
8. Pannonica
9. Someone To Watch Over Me
10. Armando’’’’’’’’s Rhumba
11. Blues For Art
12. Stella By Starlight
13. I Want To Be Happy
14. Smile

�� 

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Chick Corea - Originals. Part One

��: Jazz / Solo Piano
�� : 1999
��: 248 ��
��: 65:19
��: FLAC (tracks)

��:
1. Brasilia
2. Yellow nimbus
3. Prelude no 4, Opus 11
4. Prelude no 2 Opus 11
5. Children’’’’s song no 6
6. Children’’’’s song no 10
7. Armando’’’’s rhumba
8. April snow
9. The chase
10. The falcon
11. Swedish landscape
12. Spain
13. Children’’’’s song no 12

��

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Chick Corea - “Solo Piano Part Two - Standards”

��: Jazz
�� : 2000
��: 277 ��
��: 1:17:57
��/��: Flac

��:
1 Monk’s Dream Monk 4:01
2 But Beautiful (Burke, VanHeusen) 6:17
3 Blue Monk (Monk) 4:29
4 Ask Me Now (Monk) 5:18
5 Thinking of You (Ash, Donaldson) 5:34
6 Yesterdays (Harbach, Kern) 7:42
7 Dusk in Sandi (Powell) 5:44
8 It Could Happen to You (Burke, VanHeusen) 4:32
9 ‘Round Midnight (Hanighen, Monk, Williams) 7:22
10 So in Love (Porter) 8:20
11 How Deep Is the Ocean? (Berlin) 8:08
12 Obilivion (Powell) 3:57
13 Brazil (Barroso, Russell) 3:03
14 Trinkle Tinkle (Monk) 3:30

��

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Mark MAY and the Agitators - Telephone Road Houston, Texas

2010-02-12T16:45:44+03:00

Mark MAY and the Agitators - Telephone Road Houston, Texas

Styles: Modern Electric Texas Blues, Blues-Rock
Recorded: 1997
Released: 1997
Label: Icehouse/Priority
File: mp3 @320kbps
Size: 153.62 MB
Time: 63:11
Art: Front Cover

1. Mercury Blues - 5:19
2. Don’t Give Up - 5:42
3. Sweet Spot - 4:54
4. Lights Are On But Nobody’s Home - 9:18
5. Joann - 4:32
6. Telephone Road - 5:35
7. Back In The Joint - 5:47
8. Icehouse Special - 3:38
9. Took Me By Surprise - 6:03
10. She’s A Stranger - 5:37
11. I’ll Be Around - 5:33
12. Helena Hangover - 1:03

Personnel: Mark MAY - Lead Guitar, Dobro Guitar, Voclas
Billy Weels - Slide Guitar
Alan Haynes - Lead Guitar
Larry McCray - Lead Guitar
Dan Cooper - Bass; Gregg Grubbs - Drums
Travis Doyle - Hammond B3 Organ
Dave Nevlings - Harmonica
The Memphis Horns
and Eric Demmer - Saxophone

Notes: Music was a part of Mark May’s life from an early age. A brother had worked with Pure Prairie League’s Craig Fuller, and his mom was drawn to the strains of country and bluegrass. A native of Ohio, the blues guitarist began learning to play the instrument when he was five years old, and during his teen years he became involved with several bands. By the time he’d turned 16, he had played the first of what would become many professional gigs. Upon relocating to Houston during the early ‘80s, May continued to perform professionally with a variety of country outfits. He went on to work with rock groups, but his heart always was with the blues. Thanks to a friend, he discovered an affinity for Albert Collins’ brand of the blues. He soon pulled together his own blues-rock group.
May and the Agitators, his Houston-based band, headed into the studio and made their demo. Before a month had passed, Icehouse/Priority Records executive Johnny Philips was ready to sign May and the Agitators. After the record company issued a CD titled ‘Call On The Blues’, the band’s lineup shifted. Icehouse issued May’s sophomore effort, ‘Telephone Road Houston, Texas’, in 1997. The CD features contributions from the Agitators’ former saxophonist, Demmer, as well as Alan Haynes, Larry McCray, and the Memphis Horns. Two years later, May was dubbed Houston Press Musician of the Year.
10 of the 12 songs on ‘Telephone Road’ were written or co-written by guitarist and band leader, Mark May. Mark’s vocals are smooth and true, his guitar work solid. At times his guitar playing reminds me of Albert Collins, other times there’s no comparison at all. Many of the CD’s songs have distinctive phrasing or unique feel to them, including the first cut, ‘Mercury Blues’. This tune has been covered by many artists, but this version presents a fresh slant. The most interesting song on the CD is the title cut, ‘Telephone Road’. It starts out south of the border, then moves into central texas for the vocal chorus. It continues to skip back and forth across the border for the duration of the song. Another song with an unusual twist is ‘Sweet Spot’. For this one Mark makes use of a talk box, a device that had some popularity in mid seventies Rock. The CD also includes one standard blues number, a nicely done cover of Albert Collins’ ‘The Lights Are On, But Nobody’s Home’. Sprinkled throughout the CD are contributions of three guest guitarists, Billy Wells, Alan Haynes, and Larry McCray. All these guys blend well with the music. It didn’t become appearent to me there was more than one guitarist at work until the 3rd or 4th listening. There is one R&B;/soul ballad, but the majority of songs on ‘Telephone Road’ are upbeat, funky, Texas shuffles that make you feel like tapping your feet. There’s generous amounts of blues guitar, but not to the point of being overbearing. This CD should appeal to a wide range of blues lovers.

http://rapidshare.com/files/349101309/Bluesbird.MarkMay-TelephoneRoadHoustonTX.rar

not my upl

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2009-07-01T16:05:34+03:00

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Rapidshare.com
pass: BylttW

Takats Tamas Dirty Blues Band - Zakatol A Vonat: Archívum

2009-12-02T18:00:45+03:00

Takats Tamas Dirty Blues Band - Zakatol A Vonat: Archívum

File: mp3@VBR ~204K/s
Size: 70.4 MB
Time: 47:41
Released: 2009
Label: Decca
Styles: Blues rock
Art: Front

(3:45) 1. Viilágvége Blues
(5:06) 2. Hirdet¿ Blues
(2:58) 3. Ufo-T Lát A Jeti
(2:52) 4. Chicago - New York - Budapest
(4:01) 5. Meguntalak
(2:26) 6. Jaj De Jó
(3:27) 7. A Babám Mindig Hazavár
(4:03) 8. Zakatol A Vonat
(5:27) 9. Pocsolyába Léptem
(4:13) 10. Vigyázz!
(4:46) 11. Roadhouse Blues
(4:30) 12. Trouble In Mind

Takáts Tamás (vocal, guitar, harmonica), Gál Gábor (guitar), Patyi Sándor (bass guitar), Mike Zsolt (drums)

It has always been characteristic for The Blues band that they find the correct tone with the audience no matter of weather they preformed in small clubs, outdoor festivals or few thousands people large stage productions. The musicians have not only proved their talent but have also proved the truth that there will always be demand for music played by real musicians on real instruments accompanied by a singer who is using his own real voice .


http://www.multiupload.com/S312520UO9

James Nixon - No End to the Blues

2009-12-02T17:59:01+03:00

James Nixon - No End to the Blues

Styles: Modern Electric Blues
Released: 2002
Label: Black Magic
File: mp3@224K/s
Size: 80.7 MB
Time: 50:14
Art: Nil

1. You’re the One [2:19]
2. Baby Right Now [2:14]
3. Howling at the Moon [2:19]
4. I’m Your Handy Man [3:59]
5. Love at First Sight [3:23]
6. No End to the Blues [4:31]
7. Oh Baby [4:45]
8. One More Chance With You [2:05]
9. Please Come Back to Me [3:57]
10. Sundown Blues [3:49]
11. Sweet Thing [4:12]
12. The Best in Town [3:13]
13. Tongue Tied Blues [4:21]
14. Trying to Hold On [5:02]

Notes:
This guy’s got a great voice, the real deal. A hard-workin’ vet with excellent chops seasoned by life. The CD is filled with solid songwriting (12 single writes by Nixon & 2 co-writes, songs #10 & 12, with Richard Fleming), good production & dandy players. But it’s Nixon’s really fine vocals that shine, shine, shine. He has alot of facets in his voice that he controls & utilizes to perfection. There’s a soft, gentle touch he employs sparingly and effectively, a passionate soulful growling edge and even an excellent high falsetto’ish voicing he uses that’s provides a nifty contrast & impact scattered throughout his emotional, dead-on-the-money performances. It’s just really good to listen to a pro’s pro doin’ what he does with gusto! And just so it doesn’t get lost in the shuffle, I’ve got to mention Nixon’s strong, strong guitar work. Obviously capable of holding down the axe sideman slot with any band in the biz, his playing is inventive, rock-solid & never overdone (thus leaving just the good stuff)! Highlight tunes beyond the title cut, for me, include TRYING TO HOLD ON with it’s nice background vocal (Mary-Ann Brandon) & song tension, SUNDOWN BLUES with that cool high vocal deal, & the great delivery on ONE MORE CHANCE WITH YOU. The #12 cut, I’M YOUR HANDY MAN is a really nice song with a spare, kind of haunting vibe provided in large part by the wonderful, moody harp-playing of Shannon Williford. Matched with Nixon’s smooth guitar & perfect vocal the song really shines. Williford also does the harmonica work on a few other tunes to great advantage & effect. He really adds to the production w/o getting in the way. This leads to a few comments on Fred James production & guitar work. The guy really seems to know what he’s doing, letting the productions serve the songs & the singer! Also, his own rhythm & slide work adds nicely to the project. One more kudo to Fred James: my understanding is that he’s a nice white guy who digs R&B;and the blues and puts his money where his mouth is to get it to happen. Good deal. The other players are all equally as good. Brian Owings (drums) & Jeff Davis (bass) lock it down, Billy Earhart does nice work on keys & Dennis Taylor offers some real nice sax work. Overall this is a mighty good CD by a mighty good artist!


http://rapidshare.com/files/315120738/JamesNixon-No_End_To_The_Blues.rar

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Buddy Guy & Junior Wells - Play The Blues (Special Edition)

2009-12-02T17:57:17+03:00

Buddy Guy & Junior Wells - Play The Blues (Special Edition) http://2.bp.blogspot.com/_NK7OFJqrZU8/SxZKpahkmjI/AAAAAAAAAsc/RWosNBgAERs/s200/bgjw.jpg

Genre: Blues
Style: Chicago Blues,
Modern Electric Blues
Recorded: 1970 & 1972
Released: 2005
Label: Rhino Handmade
File: mp3, 320Kbps
Size: 270.0 MB
Time: 119:00 min.
Art: Included

More info:
http://www.buddyguy.net
http://www.myspace.com/buddyguy
http://www.myspace.com/juniorwells

CD1
01. A Man of Many Words 4:01
02. My Baby She Left Me 3:11
03. Come on in This House 4:24
04. T-Bone Shuffle 4:20
05. A Poor Man’s Plea 3:14
06. Messin’ with The Kid 2:16
07. This Old Fool 3:11
08. I Don’t Know 4:31
09. Bad Bad Whiskey 4:16
10. Honydripper 3:57
11. Dirty Mother for You* 5:57
12. Stone Crazy* 9:34
13. Whay Am I Treated So Bad?* 6:45

CD2
01. Tears, Tears, Tears* 4:36
02. Love Her with a Feeling* 9:13
03. Checkin’ Up on My Baby* 5:39
04. Last Night* 7:52
05. The First Time I Met The Blues* 6:17
06. D Blues* 8:53
07. Bad Bad Whiskey* 5:59
08. You’re So Fine* 2:47
09. Why Am I Treated So Bad?* 3:56
10. Sweet Home Chicago* 4:00

* Previously unreleased

Junior Wells - Harmonica & Vocals
Buddy Guy - Guitar & Vocals
Eric Clapton & Phil Guy - Guitar
Mike Utley & Dr. John - Piano & Organ
Carl Radle, Jack Myers & Leroy Stewart - Bass
Jim Gordon & Roosevelt Shaw - Drums
A.C. Reed, Andrew Love, Jack Hale & Roger Hopps - Horns

CD1, Tracks: 7 & 10:
Buddy Guy & J. Geils Band:
Buddy Guy - Guitar & Vocals
Magic Dick - Harmonica
Jerome Geils - Guitar
Seth Justman - Piano
Danny Klein - Bass
Stephen Bladd - Drums
Juke Joint Jimmy - Percussion

Recorded October 1970 at Criteria Studios Miami, Florida and
April 1972, Intermedia Studios, Boston, Massechusetts (CD1: 7,10)
Produced by Michael Cuscuna & Eric Clapton
with Tom Dowd & Ahmet Ertegun
Compilation Producer Cheryl Pawelski
� 2005 Rhino Handmade Records
http://www.rhinohandmade.com

This 1972 disc is an unlikely candidate for the expanded treatment, especially considering that Buddy Guy had to record two additional tunes, without Junior Wells, a few years after the 1970 Eric Clapton produced session just to have enough material for the original ten-track record. Interestingly, the 13 additional cuts unearthed for this 2005 limited-edition reissue of Buddy Guy & Junior Wells Play the Blues provide over twice the running time of the initial eight-song session. The three tunes tacked onto the end of disc one alone are worth the price of admission, with a version of Memphis Minnie’s “Dirty Mother for You” a highlight. It’s inexplicable why no one felt that this track, or the two other previously unreleased tracks that follow it, were good enough to be included on the album when it was first out. Sure, there are a few missed cues and bum notes, but the band’s playing is enthusiastic and both Guy and Wells seem to be having a ball. Disc two collects ten more Clapton-produced songs that also weren’t given the nod. A long version of “Bad Bad Whiskey” with Slowhand on slide guitar runs a few minutes longer than the officially released version, and three “mono rough mixes,” along with six more polished tracks, show there was plenty of raw material recorded at the original session. While not considered commercial enough at the time, leftovers such as a nine-minute take on Tampa Red’s “Love Her with a Feeling” with extra verses, and a funky “Checkin’ Up on My Baby” are tough, crackling, and rollicking. Wells and Guy trade lead vocals and both are in fine voice, with the former blowing edgy Chicago harp and the latter whipping off some sizzling guitar licks. Clapton returns for acoustic slide on Little Walter’s slow blues “Last Night,” an eight-minute burner that maintains its easy yet tense groove which is helped immensely by Mike Utley’s Otis Spann-styled stately piano, even though Guy seems to forget the words. Additional photos from Jim Marshall who shot the classic cover, and track-specific liner notes in the accompanying 20-page booklet help make this reissue even more attractive, especially to blues fans who treasure the original. Hal Horowitz, AMG

http://rapidshare.com/files/315147588/BGaJW-PTBSE1.rar
http://rapidshare.com/files/315155423/BGaJW-PTBSE2.rar
http://rapidshare.com/files/315160381/BGaJW-PTBSE3.rar

not my upl

�� (2007)

2009-11-25T17:12:42+03:00

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( 2007 )

1. That Kind Of Thing ��.��. ��
2. Peace Of Mind ��
3. Spoonful ��
4. Mannish Boy ��
5. Texas Flood �� , “The Double Trouble”
6. Statesboro Blues ��
7. Can’t Quit You Baby ��
8. Could Cry �� , “The Bluesbreakers”, ��
9. Income Tax ��
10. Goin’ Down Slow “The Electric Flag”
11. The Sky Is Crying ��
12. Summertime �� , Big Brother & The Holding Company
13. Dust My Broom “Fleetwood Mac”
14. Where Is The Next One Coming From ��
15. For Salvador Santana
16. King Of The World “Chicken Shack”
17. She’s A Wrong Woman (Remastered) “Bacon Fat”
18. Come On In My Kitchen ��

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��(�): ��
��: MP3
��: 320
�� : 01:19:10
��: 177,05 Mb

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http://depositfiles.com/ru/files/pct38u1hb

Blues’ Ball - Blues’ Ball (2003)

2009-11-24T02:17:52+03:00

Blues’ Ball - Blues’ Ball
(2003)

��: Blues’Ball
��: Blues’Ball
��: BLUES ROCK
��: 2003
��: MP3
��: 320 kbps
��-�� : 10
��: 00:35:00

��:

Mel Eubanks - ��/��
Kevin “Swine” Grantt - ��
Don “Smitty” Smith - ��(4,5,6)
Tony Castle - ��(3,10)
Jamie Hanter - ��-��
Randy “Tiny” Hardison - ��
Johnny Neel � ��

��:

1 She’s On A Roll 03:25
2 I Know Why 04:07
3 Her Memory 03:08
4 These Blues 03:26
5 Can’t Get Over You 03:15
6 What Has Changed 04:47
7 You’re The Reason I Got The Blues 03:30
8 The One Who Loved Me 03:46
9 Fool 04:48
10 Let Him Cry 04:38

��:
http://depositfiles.com/ru/files/ouguk4tcl

Qblog.Nov.Ru

������������ ������ �� �������� ����� | Classical music on jazz blog

JAZZ VIDEO LINKS

Chick Corea Solo

Mark MAY and the Agitators - Telephone Road Houston, Texas

������ ���������� - �������� � �������� (Modest Mussorgsky - Pictures at an Exhibition)

Takats Tamas Dirty Blues Band - Zakatol A Vonat: Archívum

James Nixon - No End to the Blues

Buddy Guy & Junior Wells - Play The Blues (Special Edition)

��������� ���� (2007)

Blues’ Ball - Blues’ Ball (2003)

�� | Classical music on jazz blog

�� - �� (Modest Mussorgsky - Pictures at an Exhibition)

�� (2007)